‘Andrew Jackson’ is ‘Bloody’ good political satire

‘BLOODY’ GOOD SHOW: Benjamin Walker (center) is highlight of ‘Bloody Bloody Andrew Jackson.’ Photo: Joan Marcus

By David NouNou

Who knew a history lesson about our seventh president, Andrew Jackson, could be fun and entertaining? Not having seen it at the Public when it had opened earlier this year, and not knowing what to expect, except hearsay, I have to admit that I was blown away at the sheer audacity of this rock musical.

What’s amazing is how the writers Alex Timbers and Michael Friedman have taken the issues of Andrew Jackson’s day and made a direct correlation to today’s news: everything from the popular and electoral vote, to terrorism, territorial rights, and legislative struggles. Benjamin Walker, as Andrew Jackson in a breakout performance, gives the historical president all the swagger, temperament, and idiosyncrasies of a rock star. His portrayal of Jackson is of a flawed man who fought his way to the top against the American Indians, British, and Spaniards, only to lose his popularity due to need for instant gratification in everything he did. I hate to use a tired cliche, but in Mr. Walker, a new star is born.

Political satire can be dangerous territory and a fine line to tread on, and there are times when Mr. Timbers’ book and direction can overstep it. The humor, especially the gay overtones and deprecations, seems crude and raunchy, and, at times, unnecessary. However, one must applaud new and young talent and appreciate their vision. They have taken “Old Hickory” and turned him into a sexy, historical dude, with charm and charisma to spare, thanks to the talent of Benjamin Walker.

Published October 18, 2010