Home

Broadway Listings

Off-Broadway Listings

Contact Us

Review & Feature Archives

Freud's Last Session

Priscilla the Musical

Book of Mormon review

Anything Goes review

War Horse review

Sister Act review

StageZine's Blog

Other Desert Cities

Godspell review

Venus in Fur review

Silence! review

Porgy & Bess review

Spider-Man review

Succeed Nick Jonas review

Death of a Salesman

Once review

Jesus Christ Superstar

Newsies review

End of the Rainbow review

Gore Vidal's The Best Man

Evita review

MagicBird review

Peter & the Starcatcher

Clybourne Park review

One Man, Two Guvnors

Streetcar Named Desire

Nice Work review

The Lyons on Broadway

Don't Dress for Dinner

Ghost The Musical review

The Columnist review

Donna Summer tribute


LOOPY LAUGHS: Brian Hutchison and Valerie Harper in 'Looped.' Photo: Carol Rosegg
LOOPY LAUGHS: Brian Hutchison and Valerie Harper in 'Looped.' Photo: Carol Rosegg
Theater Review
Valerie Harper gives the performance
of her career as Tallulah Bankhead in Looped

Looped
Written by Matthew Lombardo
Directed by Rob Ruggerio
Lyceum Theatre
149 West 45th Street
New York, NY
(212-239-6200),
www.loopedonbroadway.com

Click Here to Download the Review

By Scott Harrah
 

It is rare indeed when an actor can transcend limited material with a performance that is so incandescent and riveting that one easily forgets any shortcomings the show’s script might have, but Valerie Harper is exactly this type of performer.  Harper is emotionally explosive, hilarious, and unforgettable in every scene of Looped, the new comedy based on the legendary Tallulah Bankhead that recently opened on Broadway.
 
It is truly a challenge for any actor to play a vintage icon from yesteryear, especially one as outrageous as Bankhead, without doing a caricature.  However, Valerie Harper—herself an icon, best known for playing Rhoda Morgenstern on TV’s “Mary Tyler Moore” and the spin-off “Rhoda” in the 1970s—gives what just might be the finest performance of her career in Looped. Harper never tries to send-up or satirize Bankhead, a stage and screen actress known as much for her bad-girl behavior, heavy drug and alcohol use, and scandalous sexual exploits as she was for her countless West End and Broadway roles, and appearances in classic films such as Alfred Hitchcock’s Lifeboat.

Clad in a mink coat, satin evening gown, her animated face smeared with makeup as she chain-smokes, swills scotch and snorts cocaine, Harper nails Bankhead in every sense, from the raspy voice and over-the-top delivery of Oscar Wilde-style epigrams and bitchy bon mots to her booze-and-drug-fueled tantrums.  Tallulah Bankhead was one of the 20th Century’s most infamous queens of camp, with the hyperbolic mannerisms of a drag queen. When Harper’s Bankhead says in the play, “There are only two types of men: those who want to f***k me, and those who want to be me," it is obvious La Tallulah knew she was a walking parody of herself.   What is so outstanding about Harper’s portrayal of Bankhead is her natural sense of comic timing, and the way she manages to add a sense of depth and vulnerability to the pathetic character, making this larger-than-life woman seem human.

Looped is based on a summer day in 1965 in Los Angeles, as Bankhead enters a recording studio to “loop” one line of dialogue from one of her last films, the B-movie stinker, Die! Die! My Darling!  The line didn’t record properly, so Bankhead has been called into the studio to re-record this simple piece of dialogue that is crucial to the film’s plot. The problem is that Bankhead is so drunk and high on drugs that she cannot complete the line without slurring her words or constantly interrupting the frustrated film editor, Danny (Brian Hutchison) as the tech man Steve (Michael Mulherern), perched above the stage in a sound booth, is forced to keep doing take after take.

The running joke that Bankhead cannot finish recording the line wears thin after awhile, and not much happens in Matthew Lombardo’s witty but thinly constructed narrative. There isn’t much of a plot here, and Looped is primarily a forum for Harper’s virtuoso interpretation of Bankhead, who spends much of the play telling raunchy anecdotes about her colorful life, and recalling, with much regret, how she turned down the original Broadway role of Blanche DuBois in A Streetcar Named Desire (which she claims Tennessee Williams wrote especially for her) because she felt Blanche was too close to the real-life Tallulah: an aging, neurotic Southern belle.

In one of the play’s better moments, Harper’s Tallulah brilliantly delivers one of Blanche’s famous monologues from Streetcar to Danny, showing that she could have easily played the role that went instead to Jessica Tandy.  This is done to appease Danny, who says he saw Bankhead in an infamous revival of Streetcar in Florida in which she was so drunk and inept that the audience howled with laughter each time she spoke.

Brian Hutchison as Danny, and Michael Mulheren as Steve, give first-rate supporting performances as two men failing miserably to get Bankhead to stop babbling about herself and focus on finishing “looping” the line from the movie.

Matthew Lombardo’s script is loaded with enough catty one-liners to keep everything amusing even though much of the action drags, and Rob Ruggerio’s direction keeps things moving at a swift pace.  Looped could have easily been trimmed down to a one act, and subplots about Danny’s past seem tacked on as filler in the second act. Regardless, Looped is a trenchant vehicle for Valerie Harper, and her performance is seamless, stratospheric, and ultimately moving as we watch her depiction of Bankhead descend into the depths of despair. Harper’s top-notch take on Bankhead is undoubtedly one of the highlights of the spring 2010 season.

Closes Sunday, April 11, 2010



Admin Login
BROADWAY LEAGUE ANNOUNCES VIVA BROADWAY
By stagezineeditor | May 13, 2012 at 08:07 AM EDT | No Comments

THE BROADWAY LEAGUE LAUNCHES

VIVA BROADWAY
iVivelo! Live it!

NEW AUDIENCE DEVELOPMENT PARTNERSHIP WITH THE HISPANIC COMMUNITY

(New York, NY) May 11, 2012 – The Broadway League has created Viva Broadway, a new audience development partnership with the Hispanic community, to help bridge the world of Broadway with Latino audiences around the country.

The long-term initiative aims to increase awareness about Broadway while culturally enriching lives, bringing families together, and building new careers in the theatre. A National Advisory Board of industry and cultural notables has been formed to help strategize and spread the word about all that Broadway has to offer this growing and vibrant community.

Charlotte St. Martin, executive director of the Broadway League states, “Broadway is a live art form that is about creating emotions and developing a connection with audiences across the world, and this connection is enhanced when families come to Broadway together. Our mission of attracting more people to Broadway is particularly applicable to a community whose culture appreciates and values family activities shared by multiple generations together.”

Carlos Manzano, executive director of New York City’s Latin Media and Entertainment Commission states, "Our mission is to make New York City the capital of Latin media and entertainment. And this great Commission is proud to endorse the Broadway League's Viva Broadway initiative to bring the world of Broadway to the Latin community."

The most burgeoning growth demographic, Hispanics comprise 5.5 million of the population in the NY/NJ tri-state area and over 50 million in the U.S. and growing. However, this vibrant audience is not represented in a similar proportion in attendance on Broadway in NYC and across the country.

The goal is to draw from an untapped market while making Broadway more relevant to Hispanic families and their lifestyles. An objective is to work with and support Hispanic media outlets in their coverage of Broadway to increase awareness and awaken a desire to attend shows. The initiative will include education on all things Broadway such as how to buy Broadway tickets, how to find out what’s playing, who’s on stage, and more. For career development, Viva Broadway will create Broadway Speakers Bureaus and workshops in order to expand awareness of jobs in the theatre to high schools and colleges.

Upcoming goals include national test pilot programs in Los Angeles, Nashville, Miami, Dallas/Ft. Worth; Broadway Speakers Panel and education initiatives; media partnerships; sponsorship opportunities and corporate support; brand ambassadors; the launch of a Viva Broadway Week; plus more.

VIVA BROADWAY ADVISORY BOARD


•Jack Rico, Editor-in-Chief ShowBizCafe.com (Chairman)

•Luis Alvarez, Founder of The Wonderland Group

•Lucie Arnaz, Actor/Board Member of American Theatre Wing

•Rosie Berrido, Actor - Repertorio Español / Audiobooks narrator (US Library of Congress)
•Carolina Casares, Editor-in-chief, Yahoo! Hispanic Americas

•Felix Cisneros, Media & Content Technology Executive

•Raúl Esparza, Actor

•C. Raúl Espinoza, Theatrical Marketing Consultant

•Gabriela Garcia, Co-Director, R.Evolución Latina

•Marcela Gómez, Founder and President, Hispanic Marketing Group, Nashville

•Maria Cristina Gonzalez Noguera, Vice President of Public Affairs, Global Communications at The Estée Lauder Companies Inc.

•Linda Guerrero, 42 West, Managing Director, Targeted Marketing Group

•Jackie Hernández, Chief Operating Officer of Telemundo

• Leon Ichaso, Movie Director and Writer

•Mari Rodriguez Ichaso, Corporate Editor at Televisa Publishing

•John Leguizamo, Writer/Actor

•Monique Manso, Publisher, People en Español

•Bianca Marroquin, Actor

•Luis Miranda, Political Consultant

•Lou Moreno, Artistic Director INTAR Theatre

•Noelia Rodriguez, Communications

•Karin Olivo, Actor

•Chita Rivera, Actor

•Luis Salgado, Director and Founder, R.Evolución Latina
•Carlos Sanchez, President & General Manager Telemundo NY

•Gustavo Santaolalla, Musician/ Composer

•Jamie-Lynn Sigler, Actor

•Sergio Trujillo, Dancer and Choreographer

•Yul Vasquez, Actor and Artistic Director for the Labyrinth Theater Company

•Carmen Wong Ulrich, President and Co-Founder, ALTA Wealth Management

•Gabriela Zabalúa, Vice President and Editor-in-Chief of AARP VIVA Multimedia Properties

•Marco Zunino, Actor

COMING SOON


Twitter: @vivabroadway, Facebook: https://www.facebook.com/vivabroadway

Go to the ILoveNYTheater.com's Spanish section for show information in Spanish http://www.ilovenytheater.com/sp.

The ILoveNYTheater app is localized in all the same languages as the site, so users can download the app from the app store and set phone's language to Spanish to get the data in Spanish.

A very special thanks to:
The New York Times, Avion Tequila, and R.Evolución Latina.

Viva Broadway Logo designed courtesy of Immotion Studios, a Fort Worth, Texas, Brand Development & Advertising Agency.

STEVEN FALES' 'MORMON BOY TRILOGY' STARTS 4/19/12 IN LOS ANGELES
By stagezineeditor | March 23, 2012 at 04:36 AM EDT | No Comments

MB Productions in association with Hudson Theatricals presents
Steven Fales in
THE MORMON BOY TRILOGY
Three One-Mormon Plays Performed in Repertory
SIX WEEKS ONLY! April 19 – May 26
 
CONFESSIONS OF A MORMON BOY — The Original True Story
Off Broadway and West End Hit.                                              Preview Thurs, Apr 19, 8pm
Thurs 8pm, Sat 2pm                                                                        Press Opening Sun, Apr 22, 2pm
 
MISSIONARY POSITION — A Coming-of-Age Tale.
The comic prequel. Contains full-frontal nudity                                Preview Fri, Apr 20, 8pm             
Fri 8pm, Sat 5pm                                                                              Press Opening Sun, Apr   22, 5pm
 
PRODIGAL DAD — A Manic Memoir Meditation
The dramatic sequel. A World Premiere                                               Preview  Sat, Apr 21, 8pm
Sat 8pm                                                                                                Press Opening Sun, Apr 22, 8pm
 
Individual Tickets $30 at www.plays411.com/mormonboy or (323) 960-4420 or at box office

Special discount of $60 ($30 off!) when seeing all three shows on consecutive nights in the same week or all three shows on a single Saturday.
General admission.

Hudson Guild Theatre, 6539 Santa Monica Blvd, Los Angeles, CA 90038 (Valet parking)

Twitter@MormonBoy


http://www.facebook.com/StevenFales.MormonBoy



YouTube: mormonboyprod
 
“Before THE BOOK OF MORMON there was a MORMON BOY.” In THE MORMON BOY TRILOGY, internationally acclaimed playwright/performer Steven Fales (the original Mormon boy) brings his three autobiographical solo plays together for the first time in repertory, creating a dynamic solo performance event in the spirit of THE “MORMON” CONQUESTS. Any of the shows can be appreciated without needing to see all three. PRODIGAL DAD (Part Three) is a world premiere. The L.A. run of THE MORMON BOY TRILOGY is an out-of-town tryout preparatory to an off-Broadway engagement this fall TBA.
 
CONFESSIONS OF A MORMON BOY: The Original True Story -- After excommunication, divorce, prostitution and drugs, a sixth-generation Utah Mormon reclaims his kids and ‘Donny Osmond’ smile. Told with humor, song, and The Book of Mormon.  90 min without intermission.

About:
A hit off Broadway (SoHo Playhouse 2006), nationally (Chicago, Boston, Atlanta, Houston, Miami, San Francisco, Salt Lake City, etc.), and internationally (Charing Cross Theatre in London’s West End, Edinburgh Festival Fringe 2011, International Dublin Gay Theatre Festival 2008). Originally directed off Broadway by Tony Award Winner Jack Hofsiss, this New York International Fringe Festival phenomenon premiered in LA in 2007 at The Coast Playhouse. Opening soon in Sao Paulo, Brazil in Portuguese. "The best of the solo genre." --LA Times (Critics’ Choice), "As moving as it is funny."--NY Daily News, “Uncommonly powerful.”—Chicago Tribune, “A story that
must be told.”–SF Chronicle,  “Unforgettable.”—Houston Chronicle, “Feels like a sacred gift.”–Boston Globe, “*****5-stars”--Gay Times London, Brilliantly acted and beautifully written.”—Irish Daily Mail
 
MISSIONARY POSITION: A Coming-of-Age Tale -- This comedic prequel is based on Elder Fales' journals from his mission to Portugal. A fantastical, crowd-pleasing solo ride that takes audiences further behind the Mormon machine than ever before, including the secret Mormon temple ceremony. Contains full-frontal nudity and Mormon swearing.  90 minutes without intermission.
About: A hit at the New York International Fringe Festival 2010, the play first premiered for an extended run at Celebration Theatre in Los Angeles 2009 and has been performed in Las Vegas, Ft. Lauderdale, and Salt Lake City. "A laugh riot!"-- NYTheatre.com, "Plenty of seduction."--LA Times, "Powerful."--TimeOut New York
 
PRODIGAL DAD: A Manic Memoir-Meditation – This dramatic world premiere follows Fales as he fights for his life and rights as a father in Utah. As he seeks answers from his Greco-Mormon heritage, he comes face to face with his own demons and his greatest nemesis, shattering family myths and secrets in an underworld where bipolar ghosts and mortals collide. 120 min WITH intermission.
About: Coached by Larry Moss and developed at readings at Abingdon Theatre and TOSOS Theatre in New York. Steven recently gave staged readings at Rising Action Theatre, Ft. Lauderdale and at the United Solo Theater Festival on Theatre Row last fall. This dramatic sequel to CONFESSIONS completes THE MORMON BOY TRILOGY.
 
STEVEN FALES (actor/writer/producer) recently returned from a highly acclaimed UK tour of CONFESSIONS OF A MORMON BOY at the Edinburgh Fringe Festival and at Charing Cross Theatre in London’s West End. He received a NY Outer Critics Circle Award Nomination for Outstanding Solo Performance for CONFESSIONS OF A MORMON BOY off-Broadway, an Overall Excellence Award for Solo Show at the New York International Fringe Festival, and an Oscar Wilde Award Nomination for Outstanding New Writing for the Theatre at the International Dublin Gay Theatre Festival. His book, CONFESSIONS OF A MORMON BOY: Behind the Scenes of the Off-Broadway Hit was a Lambda Literary Award Finalist. His solo work includes THE MORMON BOY TRILOGY (including MISSIONARY POSITION and PRODIGAL DAD), his cabaret MORMON AMERICAN PRINCESS (Joe’s Pub), CULT!, Conversations with Heavenly Mother: An Uncommon Diva, and is working on Joseph III and another cabaret, SONGS OF MY PEOPLE (All My People). Projects currently in development also include: MORMON BOY the documentary film ,memoir, and album; The Mormon Boy Cooking Show; two plays called Sacred Strain and Cleft; a musical called, Saltair.
Other stage credits: Tony Award-winning Utah Shakespeare Festival, Judith Shakespeare Co., Pioneer Theater Co., Coconut Grove Playhouse, Connecticut Repertory Theatre, Stages St. Louis, Sundance Theatre, etc. Other credits include talk shows, commercials, mini-series, and series. He has worked with such luminaries as Elaine Stritch, Judy Kaye, Douglas Sills, Len Cariou, Will Swenson, Eden Espinoza, Michael Rupert, Moises Kaufman, etc.

Activism
: Fales has helped raised raise hundreds of thousands of dollars for charity with his work including The Point Foundation (Lincoln Center Gala Benefit) to Utah AIDS Foundation and Desert AIDS Project, among others. As a public speaker, he recently spoke to the Gay/Straight Alliance at the Phillips Academy Andover including students from Phillips Exeter Academy as well. His episode on Tyra Banks was a GLAAD Media Award Nomination. He has been on Hollywood Extra, BBC Newsnight, NPR radio stations across the country, and many magazine covers.
Training: Fales works privately with acclaimed acting coach Larry Moss (Sutton Foster, Hillary Swank, Leonardo DiCaprio, etc). He holds an MFA in acting from the University of Connecticut and a BFA in musical theatre from The Boston Conservatory/Brigham Young University. He has studied at the American Comedy Institute. Fales leads workshops in solo performances across the country. Member Actors Equity Association since 1998.

Personal
: Fales lives in Salt Lake City where he helps raise his two children, attends to his magnet collection and his new, affirming Episcopal congregation, and exports his Oxy-Mormon work from the Rocky Mountains. Mormonboyprod@aol.com
 
What people are saying about STEVEN FALES:
 
“A knock-it-out-of-the-ballpark performance. Confronting the ‘demons’ within, and seemingly around him, and ending up such an inspiring example of true self-respect and authenticity left me deeply touched and equally inspired.” — Judith Light
 
"Steven Fales’s tale of his journey to self-acceptance made me want to jump up in the theatre and holler ‘Amen’!  Mr. Fales is a master at his craft. His work is timely and of utmost importance in these days of religious-based intolerance."— Leslie Jordan
 
"It was wonderful-- the best gay coming-of-age, grappling-with-being piece I've seen since Dan Butler's, and you know there have been a thousand of them ever since his. It's really good."  — Bruce Vilanch
 
"Steven Fales has captured the essence of the gay soul.”— John Duran, Mayor of West Hollywood
 
"When one can be so moved as to laugh till your jaw hurts, wince with a sorry recognition at the pain distorted religion can inflict, cheer with unashamed abandon at an enviable and inspiring bravery so rarely expressed in the face of certain banishment and ridicule, you know you have had a thrilling and emotionally fulfilling theatrical experience. Bravo, Steven Fales and his Mormon Boy!"— Lucie Arnaz
 
“Steven is a man of passion and integrity and this radiates out of him as he lives his life as a man of faith.  As an ex-Mormon myself, I congratulate Steven for his courage and have no hesitation in recommending him and his story!”— Rev. Neil Thomas, Senior Pastor, MCC LA
 
“Mormon Boy is a riveting night of theatre. Grounded in the specifics of his own colorful life, it transcends personal revelation by inviting the audience to consider larger issues—the costs of authenticity in a rigid and stratified world. He is a playwright whose work displays great moral courage and daring.”— Julia Cameron, The Artist’s Way
 
"Steven Fales has taken an archetypal journey through real crucifixion to real resurrection, and he writes about it with great originality, wit, a searing and poignant nakedness, and a knowledge of redemption that will inspire all who come to his work. He is a writer to watch and to learn from."— Andrew Harvey, author Return of the Mother
 
"If you are interested in human truth expressed with heartbreaking honesty--and great joy and pride--then you do not want to miss Steven Fales."— Doric Wilson, Off-Broadway Legend
 
"Mormon Boy is an important contribution to the ongoing dialogue about the place of gay men and women in our churches, mosques, and synagogues."— Andrew Brewer, Chairman, Soulforce NYC
 
"I can’t imagine how many one-man/one-woman shows I’ve seen during my 20 plus years of work in the theatre. Mormon Boy took me somewhere I never could have imagined."— Richard-Jay Alexander, Broadway Director
 
“Steven Fales is funny, moving, bitchy, wise, and brutally honest. Prodigal Dad might even make you wish he was yours.” “--Al Watt, Founder LA Writer’s Lab, The 90-day Novel
 
“The subject matter of his performances and their powerful presentation manage to mix oil and water: to be at once intensely personal and broadly social, deeply moving and intellectually provocative, serious in content and genuinely entertaining. His tour de force one-man shows elude easy closure, but instead provoke questions that stay with the spectator long after he or she has left the theater.” –Bob Rosen, Dean Emeritus, UCLA School of Theater, Film, and Television

 
   
 
 
   
 
 
   
 
 
 
 
Home | StageZine's Blog | Broadway Listings |  Off-Broadway Listings | Contact Us

Copyright © 2012, StageZine.com

Website powered by Network Solutions®